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Performance with Samantha O'Hare
April 23, 2023


Birding In The Palisades by Amanda Harberg
I. Eagles' Flight


with Roderick Terrell on clarinet

Video and Audio editing by Charles Norris



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Birding In The Palisades by Amanda Harberg
II. The Kingfisher and the Fish


with Roderick Terrell on clarinet

Video and Audio editing by Charles Norris



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Birding In The Palisades by Amanda Harberg
III. Crows


with Roderick Terrell on clarinet

Video and Audio editing by Charles Norris



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Amazonia by Valerie Coleman

Video and Audio editing by Charles Norris

Program Notes from the composer:
"The work begins at Sunrise with the sounds of nocturnal animals like frogs and insects enjoying the last parts of the night, with the sounds of croaking and leaves moving erratically throughout the foliage. Tree frogs, Tamarin monkeys, and macaws sing their sounds, while drips of dew fall from leaves, and provides a raindrop-esque motif throughout the first part of the work. The opening motif in the flute gives a fragmented taste of the grooves and rhythms found in Brazilian music.

As the Amazonia scene is set, a simple melody emerges representing the carefree children of the Amazon, who innocently play throughout the jungle and river, immune to the dangers that lurk around them. The melody itself is a sweet dance that turns to a more mature stance that describes the peaceful pride of the tribal adults. Theirs is an intentional way of life that is unimpeded by technology and urban landscape, greed and crime. Following a brief flute cadenza, the section ends with a still life Sunset of reds, oranges and yellows.

As the work unfolds, darker elements soon cloud the landscape, in a section called “Menacing.” The piano ominously marks the entrance of poachers and mercenaries into the rainforest, with an aggressive yet stealthy march. Their job is to drive out the tribes from the forest through intimidation and assault. Here the flute becomes the aggressor as its lower register articulates the word, fire in Morse code, as an impending signal to the burnings that will soon occur. Elements of Samba emerge within the following più mosso section, with the piano part dancing a macabre dance that symbolizes greed, as corporate interests circle the forest like vultures about to feast on the defenseless. Shouts, run, and anger precede the start of fire trickling through the rainforest, signified by a single note shared between the flute and the piano that chromatically undulates and becomes more intense as the fires build and consume. Amazonia ends on an intense panic of shrieks and screams.

As the fires in the Amazon rainforest have decimated thousands of acres, we must remember the beauty of what once was."



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Rising Oceans by Herman Beeftink

Video and Audio editing by Charles Norris



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Deep Blue by Ian Clarke

Video and Audio editing by Charles Norris

Program Notes from the composer:
"Deep Blue is partly inspired by the ocean and whale song. Ian Clarke gave the first performances of the work at flute courses in the summer of 2012 with its US premiere at the Las Vegas 2012 NFA convention along with a performance at the BFS 2012 convention Manchester, UK."



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